![]() Surprisingly, she didn’t lean on fan-favorites such as “Single Ladies,” “Drunk in Love,” and “Deja Vu” to achieve this feat. Beyoncé and her flawless dancers grooved through modern hip-hop, crump, break-dance, ballroom voguing, and had the crowd on its feet the entire night. The show’s choreography was a masterclass. With all that’s happened in the past few weeks, many of her past tracks took on a different meaning and proved to have aged remarkably well (her performances of “I Care” and “Flaws and All” felt notably more passionate).īeyoncé’s Renaissance World Tour / Photograph by Kevin Mazur/WireImage for Parkwood Her vocals are disciplined, effortless and powerful - she’s not just singing, she’s sangin’ with the mic actually on. ![]() Blige’s “I’m Going Down” in the first act.) Her band is immaculate - taking us through the 1970s, ’80s, ’90s, ’00s and back again without losing the pulse of the audience. (She transitions her 2011 ballad “1+1” into a cover of Mary J. Philadelphia gave the reigning Queen of Music a royal sold-out welcome at Lincoln Financial Field as 67,000 screaming fans (more affectionately known as the BeyHive) rocked with her for nearly three hours.īeyoncé was a musical impresario - singing her own contemporary hits then merging them into familiar classics. To maximize the moment, I did something that I’ve never done at a concert before: I turned off my phone and soaked in the memories. We first attended Xfinity Live’s official Renaissance concert tour tailgate (better known as “BeyGate”) where nostalgia immediately kicked in as Beyoncé’s 25-year catalogue of hits shuffled in a room filled with fans from various backgrounds and generations.īy the time we hit our floor seats, it was clear that we were gearing up for an out-of-body experience. Draped in mesh, sequins and leather - we were serving disco cowboy as we came ready to slay. So it came as a surprise to no one that my squad of Black queer friends and I got glammed up to see her in the City of Brotherly Love. It was in that same school building that I danced to her hit single “Single Ladies” during a 2009 talent show competition (I would later do the iconic dance with my Man of Honor at my wedding in 2021). I would later find out that I attended the same high school she (and powerhouse musician Lizzo) did - Alief Elsik High School. Growing up in Houston, Texas (her birthplace), my first Beyoncé concert was in 2004 when she performed at the Houston Livestock Show and Rodeo. I’m 31 years old, and I can’t ever recall when Beyoncé was not the soundtrack of my life. For a Black queer millennial like myself who has followed Beyoncé’s career my entire life, this is salvation. ![]() Those who are white and conservative might consider her intentions propaganda. Knowles-Carter is more deliberate in tapping into the social consciousness of the challenging world her diverse fans still have to navigate. While other megastars drop Easter eggs on their fans for pure entertainment, Mrs. tour date in the birthplace of democracy is as intentional as her dedicating her critically acclaimed album Renaissance to her late great Uncle Jonny - a Black queer man who passed away from HIV complications when she was younger. ![]() For her to launch her pro-Black, pro-Queer, and pro-feminist U.S.
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